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C.S. Elston

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9 Rules from Chris Pratt, “Generation Award” Winner

June 21, 2018 By C.S. Elston

I don’t often quote or promote celebrities but, Chris Pratt is not just any celebrity and he recently did something worth quoting. Sure, he’s an awesome actor who has been in some really cool movies. And, yes, I’m a little partial to the guy because we grew up in the same area. Also, while working on a screenplay about a decade or so ago, I sat one table over from him and his then girlfriend, Anna Farris, at a coffee shop called Priscilla’s which was nearly across the street from the Warner Bros. Studios in Burbank, CA. I didn’t want to bother them, so we never spoke, which makes it a far less interesting story.

However, and far more importantly, Pratt accepted the “Generation Award” from MTV a few nights ago and took the opportunity to do something we don’t see often enough at awards shows. While some celebrities have been using these shows to promote political or social causes, Pratt used the platform he has been blessed with to offer some practical advice that could actually make people’s lives better by sharing his “9 Rules from Chris Pratt, ‘Generation Award’ Winner.”

After thanking his family and the fans, he told his audience, “This being the ‘Generation Award’ I’m going to cut to the chase and I am going to speak to you, the next generation. Okay?  I accept the responsibility as your elder. So, listen up.”

Here’s a transcript:

  1. “Breathe. If you don’t, you will suffocate.”
  2. “You have a soul, be careful with it.”
  3. “Don’t be a turd. If you’re strong, be a protector. And, if you’re smart, be a humble influencer. Strength and intelligence can be weapons and do not wield them against the weak. That makes you a bully. Be bigger than that.”
  4. “When giving a dog medicine. Put the medicine in a little piece of hamburger – they won’t even know they’re eating medicine.”
  5. “Doesn’t matter what it is, earn it. A good deed . . . reach out to someone in pain, be of service. It feels good and it’s good for the soul.”
  6. “God is real. God loves you. God wants the best for you. Believe that. I do.”
  7. “If you have to poop at a party, but you’re embarrassed because you’re going to stink up the bathroom, just do what I do. Lock the door. Sit down. Get all the pee out first. Okay? And then, when all the pee is out, poop, flush, boom. You minimize the amount of time the poop is touching the air because if you poop first, it takes you longer to pee and then you’re peeing on top of it, stirring it up, the poop particles create a cloud, goes out, and then everyone in the party will know that you pooped. Just trust me. It’s science.”
  8. “Learn to pray. It’s easy and it’s so good for your soul.”
  9. “Nobody is perfect. People are going to tell you you’re perfect just the way you are. You’re not. You’re imperfect. You always will be. But, there is a powerful force that designed you that way. And, if you’re willing to accept that, you will have grace. And, grace is a gift. And, like the freedom that we enjoy in this country that grace was paid for with somebody else’s blood. Do not forget it. Don’t take it for granted. God bless you.”

Here’s the video:

Pratt did an excellent job of mixing humor with important advice and, while we’re getting better quality Christian movies out of Hollywood these days, Pratt’s overall message, which I would break down into two parts, was not one we hear coming out of Tinsel Town very often:

  1. You have a soul. Treat it well. Two of the best ways to do that are communicating with God through prayer and treating others well.
  2. You’re imperfect but that’s okay. The God who designed you loves you and wants to show you grace.

When is the last time you remember a celebrity using their award acceptance speech to remind the audience who they are, who God is, and, most importantly what can happen when they know Him? Not a single memory of such an event comes to mind. That’s why this was worth quoting. It’s worth passing along.

While most celebrities are trying to get us to look at them and admire them, Pratt took the stage and told us to look at the God who bought our soul’s freedom with the blood of His Son and to accept that freedom. Jesus is the “King of Kings and Lord of Lords.” No one is a bigger deal than Jesus Christ and nothing is more important than how you respond to that fact. After all, at His name, every knee will bow and every tongue will confess that He is Lord.

And, because he is using his platform to make that known, I just became an even bigger Chris Pratt fan than I was already. I was going to see Jurassic World: Fallen Kingdom anyway but, maybe now I’ll have to see it twice.

 

Filed Under: About Me, Blog, Faith, Home, Movies Tagged With: Breathe, bully, bullying, celebrity, Chris Pratt, faith, freedom, Funny, God, God is love, God loves you, grace, Jesus, Jurassic Park, movie, movies, MTV, pray, prayer, Rules, service, Soul

The Influence of My Faith in My Storytelling

January 26, 2018 By C.S. Elston

 

I have been posting my answers to an interview I did on Twitter back in November for #MounceChat (which I believe has since merged with #HealthyFaith.) As I mentioned previously, this started because a participant, Rachael Colby, suggested I turn some of the questions and answers into blog posts. Solid advice. Since the third question was on a topic I have covered in a previous blog post, I’m going to skip ahead to the fourth question I was asked which was, “How does your faith influence your writing?? Here was my response:

C.S. Lewis said, “To love at all is to be vulnerable.” I think the same can be said of writing because to write at all is to expose yourself to your reader. My faith is who I am so, it comes out very naturally in my writing.

I grew up thinking that Christian music, movies and novels were mostly pretty cheesy. And, to be fair, a lot of it is. Certainly, a lot of it was. But, when I was younger, that caused me to run away from it instead of becoming someone who could try and improve upon what was out there. In my youth, I said I would always be a Christian and a writer but, I would never be a Christian writer.

So, on a number of projects I actually made an effort to write and keep certain things from coming off as “Christian.” But, it always felt dishonest because I was holding back a huge part of who I am. I used the excuse that Jesus came to heal the sick, not the healthy. It’s a truth Satan can twist to distract us from our mission.

Shortly before I started writing novels I began to realize that’s the same excuse people use when they water down the gospel or become preachers for selfish gain instead of fully giving themselves over to the Lord to be used by God the way God chooses. Contrary to what our attitudes sometimes suggest, He doesn’t need any help in deciding how to handle anything. To suggest otherwise would be to pretend we belong on that throne. Scary thought.

It’s a struggle everyone has because it’s the essence of sin itself. It’s pride and it’s wrong. What He wants, instead, is for us to let go and allow Him full access and full control. So, I’ve finally embraced it. It’s a decision that brings peace.

I’ve been encouraged as Christian music and even Christian movies have gotten better. But, I’ve also gotten closer to the Lord since I got married and now it feels like to hide that part of who I am would be to hide the whole of me. Quite frankly, if I did that, I don’t think my writing would be any good at all. I think that embrace really shows in my most recent book, “The Gift of Rio” more than in anything else I’ve ever written. Some of the people close to me, who have read most of the things I’ve written over the years, have told me that they think it’s the best thing I’ve written to date. I know this, it’s the most personal. And, that typically makes the writing better.

Filed Under: About Me, Blog, Faith, Home, My Books, Writing Tagged With: author, bill mounce, C.S. Lewis, christian fiction, christian movies, christian music, faith, fiction, four loves, Gift of Rio, Gift of the Elements, God, healthy faith, healthyfaith, inner peace, interview, mission, MounceChat, movies, Music, novel, novels, peace, pride, quote, quotes, Rachael Colby, sin, twitter, twitter chat, writer, writing

The Kind of Stories I Most Enjoy Telling

January 12, 2018 By C.S. Elston

 

 

As I mentioned a few posts ago, I did a #MounceChat interview on Twitter back in November and a participant, Racheal Colby, suggested I turn some of the questions and answers into blog posts. This is the second time I am taking her advice. The second question I was asked was, “What kind of stories do you most like to tell?” Here was my response:

I’ve always had a wide array of tastes. I like music from just about every genre (as is evident in a number of my blog posts) and the same is true of books and movies that I read and watch. So, of course, that greatly influences what I write.

As a screenwriter, I had the opportunity to try my hand at just about every genre out there. I hope that the same can be said when I’ve written all of the books I’m going to write. However, so far, with only three books under my belt, I have pretty much stayed in the fantasy lane. Not Lord of the Rings or Game of Thrones type of fantasy – although I am a big LOTR fan – but fantasy nonetheless.

My first book, The Four Corners, I’ve always put in the same category as the Narnia books. Others have compared it to Bridge to Terabithia and A Wrinkle in Time. I hadn’t read either of those when I wrote it but, I’ve read the latter since and I can see why that comparison has been made.

The Four Corners starts with a family that is falling apart at the seams. The parents have essentially fallen out of love with one another and the oldest child, their daughter, is practically raising her younger brother on her own. When the young boy, Kinsey, hears the word “divorce” finally uttered in the midst of a screaming match, the emotions he has been bottling for years finally explode out of him and open a door that transports him to another world. When his sister and his parents go looking for him, they are transported to that world as well.

In this strange place, controlled by a demon named Raum, they are all separated onto different islands where they meet other people in their own gender and age categories who are also separated from their respective families. This gives them the opportunity to realize how much they love and miss one another and it becomes a story of finding their way back to one another.

My 2nd and 3rd books are a little trickier when it comes to finding comparisons. They are each part of the same series and I haven’t found too many novels that I think are accurate comparisons. They blend elements from stories in other media forms that I think work better. An example would be the 1995 movie Powder and even some comic books like Spider-Man, Superman and the X-Men.

In a nutshell, each of the first four books in the series are stand-alone stories about one person per book who begins to develop the ability to control an element. The first two are Tyler, who controls earth, and Rio, who controls water. Next will be Mattias who controls fire and then Amanda who controls the wind. It’s their journey in discovering who they are and why they were created. Their purpose is to show this fallen world that miracles still happen and that God, who gave them these abilities, still loves us.

But, I also have books I plan to write that are nowhere near the fantasy genre. I just haven’t gotten to any of them yet. I’m a planner by nature so, I already know the next 5 books I’m planning to write and one of them does happen to be one of those from outside of the fantasy genre.

Stay tuned . . .

Filed Under: About Me, Blog, Home, My Books, Writing Tagged With: A Wrinkle in Time, author, blog, blog posts, book, Books, Bridge to Terabithia, C.S. Lewis, Chat, comic books, comics, demon, earth, fire, Game of Thrones, God, Kadosh, Kinsey, Kinsey Snyder, Lord of the Rings, LOTR, miracle, Miracles, Mounce, MounceChat, movie, movies, Narnia, powder, Racheal Colby, Raum, screenplay, screenwriter, Snyder family, Snyders, Spider-Man, stories, story, Superman, the four corners, The Gift of Amanda, The Gift of Mattias, The Gift of Rio, the gift of the elements, The Gift of Tyler, twitter, twitter chat, water, wind, writer, writing, X-Men

Some of My Favorite Music From the 1950s

October 6, 2017 By C.S. Elston

 

This is the second installment of the “Some of My Favorite Music” series. This time, I’ll be focusing on the 1950s. It was a great decade for music, dominated by doo-wop, country and western, rockabilly, blues, swing, pop, rhythm and blues, and the adolescence of the emerging rock and roll scene that was born in the late 1940s.

Since the last post in this series ended up being something of a list in paragraph form, and the length is even greater this time around, I’m going to make the body of this one a straight up list with the occasional and (hopefully) interesting anecdote.

Patti Page, songs: “Tennessee Waltz” (1950,) “Would I Love You,” “Mockin’ Bird Hill” and “Mister and Mississippi” (1951,) “I Went to Your Wedding,” “You Belong to Me,” “Come What May” and “Once in a While” (1952,) “How Much is That Doggie in the Window” and “Changing Partners” (1953,) “Cross Over the Bridge” (1954,) “Allegheny Moon” (1956) and “Old Cape Cod” (1957.)

  • Page was the top-charting female vocalist and top-selling female artist of the 1950s.
  • In a six-decade career, she sold over 100 million records.

Hank Williams, songs: “I Just Don’t Like This Kind of Living,” Long Gone Lonesome Blues,” “Why Don’t You Love Me,” “They’ll Never Take Her Love From Me,” and “Moanin’ The Blues,” (1950,) “Cold, Cold Heart,” “Howlin’ at the Moon,” “I Can’t Help It (If I’m Still in Love with You,” “Hey Good Lookin’,” “Crazy Heart” and “Baby, We’re Really in Love” (1951,) “Honky Tonk Blues,” “Half as Much,” Jambalaya (On the Bayou)” “Settin’ the Woods on Fire” and “I’ll Never Get Out of This World Alive” (1952,) and posthumously, “Kaw-Liga,” “Your Cheatin’ Heart,” Take These Chains From My Heart” and “I Won’t Be Home No More” (1953.)

  • Williams delivered seven number one hits in a six-year career before his death at the age of 29.

Fats Domino, songs: “The Fat Man” (1950,) “Ain’t That A Shame” & “Blueberry Hill” (1956)

  • “The Fat Man,” technically recorded in late 1949, is largely considered the first rock and roll record to sell a million copies.

Johnny Otis, songs: “Double Crossing Blues,” “Mistrustin’ Blues,” & “Cupid’s Boogie” (1950,) and “Willie and the Hand Jive” (1958)

  • Otis also discovered many other successful artists including “Etta James, Johnny Ace, Little Willie John and Jackie Wilson.

Nat King Cole, songs: “Unforgettable” (1951,) “Pretend” (1953,) “Smile” (1954,) “A Blossom Fell” and “Darling, Je Vous Aime Beaucoup” (1955) and “When I Fall in Love” (1956)

Elmore James, songs: “Dust My Broom” (1951,) “I Believe” (1953,) “Standing at the Crossroads” (1954,) “Dust My Blues” (1955) and “It Hurts Me Too” (1959)

Ike Turner’s Kings of Rhythm / Jackie Brenston & His Delta Cats, song: “Rocket 88” (1951)

  • “Rocket 88” was originally credited to Jackie Brenston & His Delta Cats and considered by many to be the first rock and roll record (still hotly debated by rock and roll historians) but, Ike Turner, who plays piano on the track, later disputed the matter, saying that it was he and his band with Jackie Brenston sitting in on vocals, and he won.

Ray Charles, songs: “Baby, Let Me Hold Your Hand” (1951,) “Kissa Me Baby” (1952,) “Mess Around” (1953,) “I Got a Woman” (1954,) “Hallelujah I Love Her So” (1955,) “What’d I Say” (1959)

Howlin Wolf, songs: “How Many More Years” and “Monin’ at Midnight” (1951,) “Who Will Be Next” (1955) and “Smokestack Lightning” and “I Asked For Water” (1956)

Jonnie Ray, songs: “Cry” and “The Little White Cloud That Cried” (1951,) “Walkin’ My Baby Back Home” (1952) and “Just Walkin’ in the Rain” (1956)

  • A pioneering figure in the development of rock and roll, Ray’s music was heavily influenced by both jazz and blues and seemed to alternate between R&B and classic pop.

B.B. King, songs: “3 O’Clock Blues” (1952,) “Every Day I Have the Blues” & (1955,) “Sweet Little Angel” & “Rock Me Baby” (1956)

  • King’s career began in 1949 with Bullet Records but his first number one single on the R&B chart was “3 O’Clock Blues.”

Lloyd Price, songs: “Lawdy Miss Clawdy” (1952,) “Stagger Lee” (1958,) “Personality” and “I’m Gonna Get Married” (1959)

Big Mama Thornton, song: “Hound Dog” (1952)

  • You’ll eventually notice that this song is on here twice. Elvis had the most popular version of it but, the original is arguably unbeatable.

Clarence “Frogman” Henry, song: “Ain’t Got No Home” (1952)

  • The R&B; song was featured in the movies “Diner,” “The Lost Boys” & “Casino”

Johnny Ace, songs: “My Song” (1952,) and “Pledging My Love” (1955)

  • “Pledging My Love” was a posthumous hit because Johnny had died weeks earlier due to a game of Russian Roulette gone wrong.

Junior Parker, song: “Mystery Train” (1953)

The Drifters, song: “Money Honey” (1953)

Muddy Waters, songs: “Hoochie Coochie Man,” “Just Make Love To Me” and “I’m Ready” (1954,) “Mannish Boy” (1955,) “Trouble No More,” “Forty Days and Forty Nights,” and “Got My Mojo Working” (1956)

The Spaniels, song: “Goodnite, Sweetheart, Goodnite” (1954)

Bill Haley & His Comets, songs: “Rock Around the Clock” and “Shake Rattle and Roll” (1954) and “See You Later, Alligator” (1956)

The Penguins, song: “Earth Angel” (1954)

Frank Sinatra, songs: “Young at Heart” (1954,) “Love and Marriage” (1955,) “I’ve Got You Under My Skin” (1956,) “All the Way” and the cover of the Rodgers and Hart show tune from the musical Babes In Arms “The Lady is a Tramp” (1957,) “Come Fly with Me” (1958,) and “Cheek to Cheek” (1959)

Dinah Washington, songs: “Teach Me Tonight” (1954,) “Unforgettable” & perhaps most importantly, her Grammy winning cover of “What a Diff’rence a Day Makes” (1959)

Elvis Presley, songs: “That’s All Right” (1954,) “I Forgot to Remember to Forget “ (1955,) “Heartbreak Hotel,” “Blue Suede Shoes,” “I Want You, I Need You, I Love You,” “Don’t Be Cruel,” “Hound Dog” and “Love Me Tender” (1956,) “Too Much,” “All Shook Up,” “(Let Me Be Your) Teddy Bear” and “Jailhouse Rock” (1957,) “Don’t,” “Wear My Ring Around Your Neck” and “Hard Headed Woman” (1958) and “A Fool Such as I” (1959)

  • The King was told he would never make it as a singer and became one of the most significant cultural icons of the 20th century.

Sonny Boy Williamson, song: “Don’t Start Me Talkin’” (1955)

  • Williamson had blues heavyweights Willie Dixon on bass and Muddy Waters on guitar for this song.

The Platters, songs: “Only You” and “The Great Pretender” (1955)

Chuck Berry, songs: “Maybellene” (1955,) “Roll Over Beethoven” (1956,) “Rock and Roll Music” and “School Days” (1957,) “Johnny B. Goode” and “Sweet Little Sixteen” (1958)

  • Berry is considered another rock and roll pioneer, having refined R&B into the major elements that distinguish rock and roll;
  • His guitar solos and showmanship influenced the future of rock and roll for generations that haven’t even been born yet;
  • “Maybellene” was an adaptation of a traditional country fiddle tune called “Ida Red” that was made famous in 1938 by Bob Willis and his Texas Playboys.

Jimmy Reed, songs: “You Don’t Have to Go” (1955,) “Ain’t That Lovin’ You Baby” and “You’ve Got Me Dizzy” (1956,) “Little Rain” & “Honest I Do” (1957,) “I’m Gonna Get My Baby” (1958)

  • Reed influenced many other musical acts including The Rolling Stones, Grateful Dead, The Animals, Neil Young, The Steve Miller Band and Elvis Presley.

Little Willie John, songs: “All Around the World” (1955) and “Need Your Love So Bad” and “Fever” (1956)

  • “Fever” has been covered by many artists including Peggy Lee, Madonna, Beyonce, George Clinton and The Doors.

Smiley Lewis, song: “I Hear You Knocking” (1955)

Bo Diddley, songs: “I’m a Man,” “Bo Diddley” and “Sixteen Tons” (1955,) “Who Do You Love?” and “Pretty Thing” (1956) and “Say Man” (1959)

  • Diddley was an R&B singer, guitarist, songwriter and producer who played a key role in the transition from the blues to rock and roll;
  • He influenced artists such as Elvis Presley, Buddy Holly, the Beatles, the Rolling Stones, Eric Clapton, the Who, Jimi Hendrix and The Clash.

Julie London, song: “Cry Me a River” (1955)

The Cadillacs, songs: “Speedoo” (1955) and “Peek-A-Boo” (1958)

Little Richard, songs: “Tutti Frutti” (1955,) “Long Tall Sally” and “Rip It Up” (1956,) “Lucille,” Jenny, Jenny,” and “Keep A-Knockin’” (1957,) “Good Golly, Miss Molly” (1958,) and “Whole Lotta Shakin’” (1959.)

  • Probably not even necessary to say this but, Little Richard was a rock and roll pioneer in both performance and music style – even performers like Elton John, Cee Lo Green and rockers like Kiss and Alice Cooper owe him some gratitude.

Johnny Cash, songs: “Hey Porter,” “Cry! Cry! Cry!,” “So Doggone Lonesome” and “Folsom Prison Blues” (1955,) “I Walk the Line,” “Get Rhythm” and “There You Go” (1956,) “Next in Line,” “Give My Love to Rose” and “Home of the Blues” (1957,)  “Ballad of a Teenage Queen,” “Big River,” “Guess Things Happen That Way,” “The Ways of a Woman in Love” and “All Over Again” (1958) and “Don’t Take Your Guns to Town,” “Frankie’s Man, Johnny,” “I Got Stripes” and “Little Drummer Boy” (1959)

The Dells, song: “Oh What a Night” (1956)

Carl Perkins, song: “Blue Suede Shoes” (1956)

  • This song, like “Hound Dog” before it, is another original that was also done by Elvis.

Frankie Lymon & the Teenagers, song: “Who Do Fools Fall in Love” (1956)

James Brown, songs: “Please, Please, Please” (1956) and “Try Me” (1958)

  • For the record, while I’m only listing two songs in the 1950s, the hardest working man in show business was just getting started.

The Five Satins, song: “In the Still of the Night” (1956)

  • The classic song has been covered by the likes of both Boyz II Men and Debbie Gibson;
  • It was also featured in Dirty Dancing and The Buddy Holly Story

Shirley & Lee, song: “Let the Good Times Roll” (1956)

Gene Vincent and his Blue Caps, songs: “Be-Bop-A-Lula” and “Bluejean Bop!” (1956,) “Lotta Lovin’” (1957) and “Dance to the Bop” (1958)

Screamin’ Jay Hawkins, song: “I Put a Spell on You” (1956)

Miles Davis, albums: ’Round About Midnight (1957) and Kind of Blue (1959)

  • ’Round About Midnight was greeted with a lukewarm reception upon its release but has since been recognized as a masterpiece of the hard bop genre and one of the greatest jazz albums of all time;
  • Kind of Blue is considered by many to be Davis’ greatest album and features the songs “So What,” “All Blues” and the atypical subtle ballad “Blue in Green”)

Johnny Burnette and the Rock and Roll Trio, song: “Train Kept A-Rollin’” (1956)

  • This song was originally recorded by jazz and R&B musician Tiny Bradshaw in 1951 but, this cover was a decidedly more guitar riff-driven rendition

Paul Anka, songs: “Diana” (1957,) “It’s Time to Cry” and “(All Of a Sudden) My Heart Sings” (1958)

Buddy Holly, songs: “That’ll Be the Day,” Peggy Sue,” “Everyday,” “Oh, boy!” and “Not Fade Away” (1957,) “Maybe Baby,” “Rave On,” “Think It Over,” “Early in the Morning,” “It’s So Easy,” “Real Wild Child” and “Heartbeat” (1958) and “It Doesn’t Matter Anymore” (1959)

Elizabeth Cotten, song: “Freight Train” – 1957

  • 50 years after she wrote it at the age of 12, Cotten finally got her song out there and had her time in the spotlight;
  • it was later covered by country star Chet Atkins and folk legend Joan Baez;
  • Cotten was a self-taught, left-handed guitar player who played a right-handed guitar upside down which gave her a unique, signature alternating bass sound that has since become known as “Cotten Picking”

Sam Cooke, songs: “You Send Me” (1957,) “Win Your Love For Me” (1958) and “Love You Most Of All,” “Everybody Likes To Cha Cha Cha,” “There, I’ve Said it Again” and “Only Sixteen” (1959)

Eddie Cochran, songs: “Twenty Flight Rock” and “Sittin’ in the Balcony” (1957) and “Summertime Blues” and “C’mon Everybody” (1958)

Huey “Piano” Smith and His Clowns, songs: “Rockin’ Pneumonia and the Boogie Woogie Flu” (1957,) “Don’t You Just Know It (1958) and “Sea Cruise” (1959)

The Teen Kings, song: “Ooby Dooby” (1957)

  • While this record peaked at 59 on the Billboard Hot 100, it sold 200,000 copies and introduced us to the sound of Roy Orbison who would explode onto the scene in the 1960’s.

Patsy Cline, song: “Walkin’ After Midnight” (1957)

  • That’s it for the fifties but she resurged in 1961.

The Coasters, song: “Searchin’” (1957,) “Yakety Yak” and “Charlie Brown” (1958) and “Along Came Jones” and “Poison Ivy” (1959)

Dale Hawkins, song: “Susie Q” (1957)

Link Wray, song: “Rumble” (1958)

  • Rumble was featured in the movie Pulp Fiction and is one of the earliest recordings to explore distortion and feedback;
  • Link Wray was ranked at number 45 of the 100 greatest guitarists of all time by Rolling Stone Magazine;
  • Wray is the man who invented the power chord so, just about every modern rock guitarist owes him a thank you and, without him, we would never have gotten punk or heavy rock.

The Everly Brothers, songs: “Bye Bye Love” and “Wake Up Little Susie” (1957,) “All I Have to Do Is Dream,” “Bird Dog” and “Problems” (1958)

Jackie Wilson, songs: “Reet Petite” (1957) & “Lonely Teardrops (1958)

The Champs, song: “Tequila” – 1958

  • The Champs are a prime example of the one-hit-wonder but they delivered a Latin-tinged instrumental with serious staying power.

Danny & the Juniors, song: “At the Hop” (1958)

Ritchie Valens, songs: “Come On, Let’s Go,” “Donna” and “La Bamba” (1958)

  • Valens’ recording career only lasted eight months before he tragically died in the same plane crash as Buddy Holly and the Big Bopper

Jerry Lee Lewis, songs: Covers of “Don’t Be Cruel,” “Jambalaya,” “When the Saints Go Marching In” and “Goodnight Irene,” as well as the original “High School Confidential” were all from his first, self-titled album in 1958; Other 1950’s hit singles included “Whole Lot of Shakin’ Going On” and “Great Balls of Fire” (1957,) and “Breathless” (1958)

The Shirelles, songs: “I Met Him on a Sunday (Ronde-Ronde)” (1958) and their cover of “Dedicated to the One I Love” (1959)

Nina Simone, songs: “I Loves you, Porgy” & “My Baby Just Cares For Me” – 1958

  • Not unlike James Brown, the career of Nina Simone was just getting started.

Cliff Richard and The Shadows, song: “Move It” (1958)

  • This song is considered the UK’s first authentic rock and roll record.

The Big Bopper, song: “Chantilly Lace” (1958)

The Dave Brubeck Quartet, album: Time Out (1959)

  • This was the first jazz album to sell more than a million copies. It included the songs “Take Five,” “Blue Rondo a la Turk” and “Three to Get Ready.”

The Isley Brothers, song: “Shout” (1959)

Johnny Preston, song: “Running Bear” (1959)

The Flamingos, song: “I Only Have Eyes For You” (1959)

Dion & The Belmonts, song: “A Teenager in Love” (1959)

  • This pop group preceded their biggest hit with “I Wonder Why,” No One Knows,” & “Don’t Pitty Me;”
  • “A Teenager in Love” was followed up with “Where or When” & “That’s My Desire”

The 1950s came to a tragic end with an event that would later inspire the 1971 smash hit song “American Pie” by Don McLean. The song dubbed the event “the day the music died.” Buddy Holly, who had parted ways with the Crickets toward the end of 1958, had put together a band that consisted of Tommy Allsup, Carl Bunch and Waylon Jennings for his “Winter Dance Party” tour with opening acts Dion & The Belmonts, The Big Bopper, and Ritchie Valens. The long, cold bus rides between gigs had left several of the musicians sick and Holly decided to charter a plane.

Dion DiMucci was offered a seat but declined because he said that the $36 cost was too much because that’s what his parents paid for a month of rent in his childhood apartment. The Big Bopper had the flu so, Waylon Jennings gave up his seat for his sick colleague. Valens and Allsup flipped a coin for the final seat and Valens won.

The plane took off from Mason City Iowa at 12:55 am on February 3, 1959 under conditions of light snow, six miles of visibility and 20-30 mile-per-hour winds. Within minutes, radio contact had been lost. Later that morning, the owner of the charter company took off in another plane to retrace the flight path. He spotted the wreckage only six miles northwest of the airport.

Losing The Big Bopper, Ritchie Valens and Buddy Holly was a tragic end to an excellent decade of music and we’ll never know what music we lost with them. However, we do know some of the music we were blessed with because of who did not wind up on that plane. Dion had not recorded “A Teenager in Love” yet and both he and Waylon Jennings were still meant to give us some excellent music in the decade ahead. In fact, for my money, the sixties were even better than the fifties. But, we’ll save that for a future post . . .

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Five Books On Screenwriting That Have Influenced All Of My Writing

July 10, 2017 By C.S. Elston

By

C.S. Elston

 

I grew up wanting to write novels, pretty much from the time I began to learn how to read. However, in my teens and throughout my twenties, I was distracted by the allure of Hollywood. So, most of my “writing education” came through learning how to become a screenwriter. I studied it both in and outside of school and the following five books became influencers. I don’t have any regrets about my years of “distraction” because I believe that studying the art of the screenplay provided me with a much stronger sense of strong dialogue and story structure than I would have had without it. So, whether screenwriting is your goal or not, for anyone who wants to create great stories, I would highly recommend the critical education the following five books provide.

  1. Screenplay: The Foundations of Screenwriting by Syd Field

The first book on the list is the first book on screenwriting I ever read and one of the most influential books on the subject to date. When you study the structure Syd Field lays out and then turn on a DVD, you can practically set a stop watch to most movies in the modern era and watch the precision unfold.

  1. Adventures In The Screen Trade: A Personal View of Hollywood and Screenwriting by William Goldman

This inside look at the movie industry is an equally fascinating and entertaining read. The most educational part, however, comes with the peek into Goldman’s own creative process. After all, the guy wrote “Marathon Man” and “The Princess Bride” — he knows what he’s doing!

  1. Story: Substance, Structure, Style and the Principles of Screenwriting by Robert McKee

Perhaps the only book to rank as high as Syd Field’s in terms of influence, McKee offers an even more comprehensive look at the methods behind creating a great script. Quite simply, it’s a master class on the craft of writing for the screen.

  1. How To Sell Your Ideas To Hollywood by Robert Kosberg

As a writer, when someone asks my what I’m working on or about one of my books, my tendency is to want to go into a long explanation. Kosberg taught me how to whittle my ideas down to as few words as possible. If you can accomplish that feat before you even begin writing a script or a book, you’ll have the heart of your story at the forefront of your mind throughout the entire journey.

  1. Screenwriting 434 by Lew Hunter

Equally masterful as Syd Field or Robert McKee before her, Hunter takes the basics you learned in the four previous books and shows you how to polish your lump of coal into the diamond you always knew it could be.

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